American Horror Stories. Season Camp Redwood Mr. Characters Miriam Mead Coco St. Roanoke House Hellmouth. American Horror Story. The series never specified her age, but it's simple to calculate that she was in her late 20s based on certain details. Breckenridge was years-old when she portrayed the younger version of Moira in season 1.
With this detail, it was assumed that the character was meant to be in her mid to late 20s when she was hired as a housekeeper. She worked there for a bit before she started an affair with Hugo. When Moira was shot and killed, it was This would mean that Moira was probably born in the mids. Conroy, on the other hand, was 58 when the scored her first role on American Horror Story. If the character aged at a normal pace, she would have been nearing years-old during the season's primary timeline.
By the end of the season, Moira explained that her "real" appearance was her aged depiction. Certain characters—like Ben—wouldn't see her true form until they got to know her as a person rather than focusing on her attractive qualities. Moira's older visage was a representation of her soul, which continued to age even though her body couldn't.
According to Moira, this is because women's intuition gives them insight on the true nature of people, whereas men see only what they desire. However, if the man can resist the compulsion to see her as a sexual object, they too will see her as who she "really is". Both forms of Moira have burgundy-red hair.
In her "true" visage she is pleasant, professional and somewhat 'kooky'; in the younger, she is seductive, hyper-sexual and manipulative; a femme fatale. Moira is generally soft-spoken and reserved, but sometimes has outbursts of intense emotion, including anger, sadness, and delight. Moira despises men as liars and cheaters, having met her end because of such a man. As such, she also sympathizes with women who have been cheated on, such as Vivien Harmon. Moira has a deep desire to leave Murder House , and is willing to kill or have killed anyone who will prevent her remains from leaving; the building of the gazebo and the burial of Hayden brings a deep despair to Moira.
In Apocalypse , Moira has changed slightly. Since Constance Langdon 's suicide, Moira has gained greater confidence and her darker side would show itself more in a sharp-tongue as she took joy in taunting Langdon.
Moira's intense sadness has not waned however, Billie Dean Howard describing her as "the saddest soul" of all the ghosts in the Murder House [2]. Moira's love and affection for her mother similarly did not falter, and she requests to have her remains buried in the same tomb.
Moira also demonstrates a profound sense of gratitude, thanking Madison Montgomery effusively for releasing her. She introduces herself as the housekeeper and her knowledge of how to maintain the house impresses Vivien enough that she is permitted to continue in her position.
Moira reveals that she worked for the previous owners and even cleaned up the bloody mess of their deaths. Moira, appearing in her younger, seductive visage quickly begins a campaign of trying to seduce Ben Harmon.
The Harmon family are unaware of just how long or deep Moira's connection to the Murder House runs. Constance Langdon reveals, in passing, that Moira once worked for her before. Certainly, Moira was comfortable enough with the history of the house to bury bodies alongside Constance and Tate. In a flashback, we are shown that before while still alive, Moira once slept with Constance's husband, Hugo Langdon , as she was "feeling lonely".
In , Langdon drunkenly makes another sexual advance towards her but Moira refuses him saying that what they did was a mistake. Hugo tries to force himself on Moira only to be caught in the act by Constance. Constance, possibly mistaking the interaction as consensual, shoots Moira through the eye - killing her instantly. Constance then shoots Hugo to death and buried Moira's and his bodies in the backyard of the house.
On Halloween , Moira leaves the premises of the Murder House to visit her dying and comatose mother, Molly O'Hara who still lives in a long-term care facility. Moira expresses guilt that she hadn't been there for her, and resolves to set her free. Moira tearfully unhooks the respirator, and allows her mother to die. Molly's ghost appears behind Moira, biding her "come with me baby". Moira cries that she wants to be with her mother but can't: "I want to mother, but I can't, I can't.
Moira, full of despair, returns to the Murder House shortly before sunrise.
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