But I put in the practice that it would require to make that happen. Read more here. Bridging the gap between online content creators and recording artists, the five song EP is available today on all streaming platforms, here.
It is interesting to see the crossover though. Matt has done everything traditionally. At the same time, he embraced new technologies instead of shutting them out. By doing this together, we get to be in both worlds.
The EP was recorded in a raw and real manner. So, it has a different element. It would be cool to show everyone it does not matter if you are a guitarist from Instagram or you are in a big band, you can do things together. However, I have always had that mentality, because my mom is Japanese, and my dad was a marine. Now, it is a combination of three things: streaming, training, and Brazilian Jiu Jitsu.
Those practices made me better at what I do and prepared me to jump into something new. Of course, Heafy, a self-professed Metallica fanboy, absorbed that criticism, but claims he didn't take it into the writing and recording sessions for Trivium's next studio offering, Shogun, which hits stores September On that record, we accomplished our main goal, and that was to make it the exact opposite of ['s] Ascendancy.
We didn't want to do anything that happened on that record on the next one, but we still wanted to keep it us, because we feel we're a band that can broaden its sound and not just stick with one thing. It was still metal, and it was still Trivium, just different and diversified. And while Heafy defends the decision to switch to clean vocals for The Crusade, he has reverted to his old ways. In fact, Heafy screams more on Shogun than he ever has — but he sings more on it, too.
It has as much singing on it as The Crusade, but it has just as much, if not more, screaming than Ascendancy. The songs are longer, and there are more vocal parts. So, I do everything from the lowest possible singing notes I can do to the highest [Rob] Halford-wannabe notes, and everything in between, and the same goes for all the screaming, because we felt the music called for that stuff.
But when we started jamming for Shogun, and we heard how brutal and heavy some of the stuff was — it's the heaviest sh-- we've ever done before — we tried singing over it, and it wasn't right.
What was it missing? The screaming, and that's exactly what it needed. The way metal is done these days, you track it a couple of times, make sure its perfect, and then you go in and fix a couple of the pieces — retrigger the guitars and drums. That's just the way it is.
But we wanted to go back to the old-school way — record everything right, with no triggers on our drums. We had to make sure the performance was there and the energy was there, and hearing the end result, the stuff Nick drew out of us is just unreal. In terms of heaviness and brutality, it's the best thing we've done.
Before, we'd never really considered ourselves a contender for even the word 'heavy' or 'brutal,' but this time, things are different. Heafy said the new disc incorporates elements of death, thrash and extreme metal — "just a big combination of everything we'd loved as kids" — and that it's evidence of the progression the band's taken with its sound.
0コメント