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Mangione first attracted attention with his brother, Gap, in a mainstream jazz band, The Jazz Brothers, in which he played trumpet much like that of the man who he refers to as his musical father-Dizzy Gillespie. In fact Dizzy gave Chuck an 'updo' horn just like his own.

Chuck's years with the Jazz Brothers overlapped with his attending the Eastman School of Music and eventually resulted in his solo album debut. Another important step in Mangione's career development was his return to the Eastman School of Music as director of the school's Jazz Ensemble. Those early years with Mercury culminated in the title tune of one of Mangione's most popular albums.

During the late 's, Chuck received more awards and accolades for his recordings. All things considered, the show went off effortlessly. Land of Make Believe is the eighth album by jazz artist Mangione. The title song is sung by Esther Satterfield. This Article is produced by InformationCradle Editorial Staff which is a team of expert writers and editors led by Josphat Gachie and trusted by millions of readers worldwide.

For complain, correction or an update , please send us an email to informationcradle gmail. We promise to take corrective measures to the best of our abilities. Skip to main content Skip to primary sidebar Skip to footer. After getting a degree in industrial relations from the State University of New York in Buffalo, he decided to return to music and picked up a music degree in from the University of Rochester's Eastman School of Music. He had all of the technical know-how in the world, and he really tried to make magical music on everything he played.

Niewood left Mangione's quartet in , after eight years and formed his own jazz-fusion quartet to play in New York City. He released his first album, Gerry Niewood and Timepiece , in Niewood released several other albums over the years.

America's jazz resource, delivered to your inbox. Skip to content Become a member and get exclusive access to articles, live sessions and more! Chuck Mangione. Become a JazzTimes member to explore our complete archive of interviews, profiles, columns, and reviews written by music's best journalists and critics.

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