He has exhibited paintings and sculpture internationally. As a result there is a culture of unfulfilled relationships emerging as dialogues are being replaced by monologues.
To mark this condition, a piece was cast to prop the body in a frozen position, endlessly listening to another, while simultaneously aiming to capture the water-like quality of the glass, to embody timeless associations of water with comfort, soothing and caring. The show concluded with three long evening dresses that were embroidered with an image of a veiled woman peeking out. After 20 years of working as a fashion designer, Chalayan stills knows how to surprise his audience.
Beyond the avant-garde, Chalayan designs ready-to-wear garments that are sold internationally. In this way, Chalayan continues to create fashion that is meant to be worn, but more importantly, he creates fashion that is meant to be remembered.
We and our partners use cookies to better understand your needs, improve performance and provide you with personalised content and advertisements. To allow us to provide a better and more tailored experience please click "OK". Sign Up. Travel Guides. Videos Beyond Hollywood Hungerlust Pioneers of love. Models ripped the fronts off their shirts to reveal glittery confetti at Hussein Chalayan 's Autumn Winter show, which explored ideas surrounding identity and Greek folk culture. Designed in Hackney: we conclude our week of fashion design from Hackney with Hussein Chayalan and his dresses that emit laser beams.
We're continuing to upload all our videos from our archive, including this interview we did with fashion designer Hussein Chalayan in Fashion designer Hussein Chalayan presents work including these moulds used to make his Inertia series of dresses see our earlier story at Spring Projects in London.
Dezeen podcast: in this podcast for the Design Museum in London journalist Caroline Roux interviews fashion designer Hussein Chalayan about a retrospective exhibition of his work at the museum.
Hussein Chalayan celebrates birthday on August 12 of every year. The models were distorted into generic shapes and unified by architectural proportions; cones were fixed to the top of the head and faces and bodies swathed in black to obscure their identity. As Chalayan explored the idea of representing nature in this collection, he broke it down into its most basic graphic representation, pixels. Body and clothing were then merged into a digital landscape, which was recreated in enlarged cube-shaped pixels.
In Afterwords, Hussein Chalayan focused on the involuntary and dramatic aspect of mobility, and illustrated the sentimental impacts of forced migration. One of the models transforms a mahogany coffee table into a geometrical and telescopic skirt, so that it becomes displaceable on human body.
The show was based on the idea of having to evacuate home during a time of war, hiding possessions when a raid was impending, and using clothing as the means to carry away possessions more quickly. However Chalayan does not merely illustrate the situation, he challenges the historical context in which the immigrants had to leave behind their possessions and lose their identity because of their un-portable quality of the objects.
Since he designs the clothes as portable private properties, the immigrants can carry these items that define their identities and cultures with them during their unwanted journeys. This way he allows them a relatively more active position where they can adapt the physical nature to the social context.
The dresses featured wire-frame architectural prints against static white backgrounds, generated by a computer program that allows designers to draw within a range of three-dimensional perspectives inside an architectural landscape. The images were then transferred onto silk and cotton fabrics using a mechanised fabric-printing process. The dress incorporated the aerodynamics of aeroplane travel into its form and aesthetic and was considered a hi-tech triumph that connected fashion to technology and technology to the body, establishing a dialogue between the body and the environment.
The Remote Control dress was the first wireless device to be presented as a fully functioning fashion garment. Hussein Chalayan Birthday Countdown 0 0 0. He grew up in Turkey with his sister Meredith.
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